Talking Myths - An online archive of traditional tales from Indian subcontinent
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  • Home
  • About Us
    • About Talking Myths Project
    • Team Talking Myths
    • Contributors
    • Associates
  • Archives
    • Categories
      • Folktales
        • Folktales from Mahabharata
        • Folktales from Ramayana
      • Myth
      • Legend
      • Beliefs and Traditions
      • Taboo
      • Didactic Tales
        • Fables
        • Jataka Tales
        • Panchtantra
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Talking Myths - An online archive of traditional tales from Indian subcontinent
Folktale

Devchar in a bottle

Ghost or spirit stories are very common across the world and in Goa, the coastal state from western India, Devchars are the most cherished spirit-gods. Devchar literally means- “The one who has gone the god’s way” in Konkani language.

Generally Devchars are considered to be benevolent spirits, known for their shape-shifting ability but they are also notorious for creating nuisance for people. Thus if someone is a trouble maker, then it is asked in jest “Has Devchar possessed you?” Although feared by children, elders know Devchar is a harmless and also a foolish spirit, who can be easily tricked. The tale shows how the memory of spirit–god is kept alive through folktales.

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June 17, 2018by admin
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Folk-Myth

Pregnant Ravana

http://talkingmyths.com/wp-content/uploads/2019/03/Pregnant-Ravan.mp3
(Click to listen to audio version of the story)

There are many narratives about Sita’s birth. Valmiki states that Janaka, king of Videha, is the foster father of Sita since he found her while ploughing the field. Appellations like Bhumija, Dharanisuta, Parthivi , suggest that Sita is the daughter of mother-earth and ‘not born from the womb’- ayonija. The question who is Sita’s biological father is mired in mystery.

However some folk narratives suggest Ravana fathered Sita, with his wife Mandodari. A folksong from the Dalit bards of Karnataka describe Ravana as father as well as ‘mother’ of Sita.

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June 3, 2018by admin
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Myth

Ruru and Pramadvara

Indian mythology is replete with stories where women undertake extraordinary and perilous journeys to save their beloved from all kinds of sticky situations, at times even bringing them back from the dead.  The stories of Satyavan-Savitri, Nala-Damayanti, Arjuna-Ulupi show women moved heaven and earth for the men they loved.

Not as common are stories of husbands or lovers going the extra mile for their love. In that sense, the story of Ruru and Pramadvara that finds mention in the Adi Parva (Pouloma sub-parvan) of the Mahabharata is unique.

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May 1, 2018by admin
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Myth

Lord of desire

Puranic myths represent Shiva as an ascetic, deep in meditation sitting atop Mountain Kailash. To seek his attention and seduce the ascetic god, Devi performs tapas. But Shiva is unmoved and she seeks the help of Kama, the god of love, who shoots his floral arrow of enchantment, forcing the god to acknowledge his erotic vulnerability. Traditional Puranic narratives highlight this confrontation between Shiva and Kama, the destruction of Kama and the wrath of Shiva to underscore Shiva’s unshakable ascetic nature.

However, South Indian myths especially from the Kanchipuram tradition, change the narrative from Shiva-Kamantaka- the destroyer of Kama, into the follower of Kama- Shiva-Kameshvara- the ‘Lord of desire’. These myths present Shiva passionately meditating on the goddess and surrendering to his desires. The following myth found in the Vaishnava texts, also known as ‘Kanchi flood myth’ narrates how Shiva’s amorous passion in unrestrained form could bring destruction.

Once Shakti came to Shiva and demanded to be seated on his left lap, the way Devi does.* Shiva was amused by the demand, and informed her “You are only a part of Devi and not her.” But she argued “I am part of her and you have to treat me as Devi”. In response Shiva ordained that her clothes slip off, hoping to teach her humility.

Seeing Shakti naked Devi quickly reached out and covered Shiva’s eyes to stop him from desiring her. But Devi’s action angered Shiva who brought forth premature destruction of the world by plunging it into darkness and unleashing pralaya (floods). Due to her impulsive action Devi lost her lustre and her skin turned black (Kali) and she was destroyed in the pralaya.

Devi as Kali was born again as a child in Badarikashirama and was adopted by sage Katyayana. The sage who knew about her previous birth, gave her some sand and water from river Ganga and sent her towards south to a spot where sand would turn into a linga, and the water into milk. Once Devi reached the spot she stopped and performed intense tapas seeking Shiva using the mantra of five arrows which Kama had taught her. She repeated the mantra until the heat of mantra reached Kailash.

Shiva tried to cool the heat of his desire by embracing Shakti, but this was of no help. He bathed in Ganges but that too failed to calm his desire. He sent Ganga to stop Devi from uttering the mantra, and the river came down upon Devi as a mighty flood almost destroying her. As Devi screamed for help, her brother Vishnu came to her help by taking a form reaching up to the heavens thus blocking the river’s advance.

Vishnu told her, “My dear sister, your lord’s unbound passion has turned into flood waters. Embrace the sand linga and you can calm him and bring him down from his fury.” Devi embraced the linga with all her might, leaving scars from her breasts and bracelets upon the linga. Shiva was pleased by her gesture and invited her to sit on his lap. She immediately regained her original lustre, her black skin turned golden, and wished to be married to Shiva. Vishnu obliged, and offered his sister as the bride to Shiva.

—————————-

*According to Hindu iconographic cannon when a female divinity is shown seated on the left lap of the god, it implies a conjugal relationship between two deities.   

 

Story Collected by: Vidya Kamat

Text Source: Tamil temple myths, by David Dean Shulman

Location: Tamil Nadu

Image Source: Wikipedia

 

 

April 5, 2018by admin
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Beliefs and Traditions

Sita’s Golden Blouse

 

Wadars are a wandering community found on the border area of Maharashtra, Andhra Pradesh (Today’s Telangana) and Karnataka. Every year during Dasara and Gudi Padva they gather near the river bank at Pune, to perform a ritual called Jaladi or Gangasthal.

Dasara and Padva being a Hindu new year, it is also an occasion for the members of Wadar community to come together and recite oral tales of their clan. This annual ritual is an important reunion for the Wadars as it consists of many important rituals such as repainting of traveling shrine they carry with them. The mobile wooden structure or shrine, measuring two feet by one and half foot is called ‘Gudi’ meaning temple in Telgu. These shrines are in shape of palanquin covered with painted images in ‘patachitra’ style of Andhra Pradesh. The tradition of narrating stories through these patachitras is known as jatipurana or clan stories. Jatipuranans are particularly significant to wandering Wadaries, since it helps them to identify with their history and provides a unique identity to the clan.

The narratives of the Jatipurana invariably establish a link with Ramayana and Mahabharata. Here is a story about a curious custom followed by Wadari women to identify themselves with the plight of Sita.

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March 7, 2018by admin
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Legend

Divine Madman

Jempel, the Bhutanese cultural guide who came to welcome us at Paro airport, was dressed in Gho or go- the traditional Bhutanese dress worn by men. Gho is a knee-length robe tied at the waist by a cloth belt known as the kera. On our way to our hotel, Jempel entertained us with his stories and impressed us with very fine details of Bhutanese history. It was evident that he really loved his job as a cultural guide.

Our favourite among the stories we listened to were the tales of Lama Drukpa Kunley, the divine mad man. Jempel’s eyes would shine whenever he would tell the story of Drukpa Kunley. A mischievous smile would break out, his voice would crackle, and he would begin by clearing his throat. “ Drukpa Kunley was a raving mad man and a poet, but also a highly respected Buddhist Lama who freed Bhutan from evil forces”.

Drukpa Kunley counts among the most celebrated adepts of Buddhism from the Himalayan region. He belongs to the tradition of  ‘crazy wisdom’– a legitimate Buddhist path and form of conduct which may include actions that would appear to be irrational or ‘crazy’, but are in fact part of the practitioner’s decipline toward his/her own liberation- He used poetry, song, dance, humour, liquor, and not least sex to teach spiritual lessons. In Bhutan, Drukpa Kunley is seen as a cultural hero around whom are spun a web of stories and legends.  Drukpa is also worshiped in the phallic form as ‘flaming thunderbolt’ and is a lucky charm according to Bhutanese belief. The story below tells how Drukpa in his crazy state created a magical animal called Takin.

Armed with a bow and arrow in one hand  and the thunderbolt in another, Drukpa roamed naked on mountains of Bhutan in freezing weather. Wandering around he reached a village in his naked form. The village elders prostrated before the lama, and asked “ You are a great lama. So why do you behave like an idiot and roam around like this?” Drukpa smiled and asked for the meat of a goat and  cow along with bones and skin to be served him. People were bewildered by such an outlandish demand by the  lama, but they relented and brought a cow and a goat and presented them to Drukpa. He ate the whole  goat and the cow right in front of the crowd. Villagers stood stunned seeing Drukpa gobble up two huge animals in one go without pausing.  Having finished eating the flesh, bones, and skin of the animals, Drukpa got up, and snapped his fingers in the air and opened his mouth wide. A strange creature with the head of a goat and the body of a cow wriggled out of his wide open mouth. The creature was a combination of a cow and goat, that he had swallowed moments ago and it was named Takin. Today, Takin is the revered national animal of Bhutan. It is also called cattle chamois or gnu goat.

As you enter Punakha valley you begin noticing the most unusal sight of large phallic graffiti painted on the doors, walls, house entrances, and shops. Legend has it that a demoness named Loro Duem was terrorising the locals by controlling either side of Dochula Pass and no one was able to cross it.  So people approached Lama Drukpa and requested to get rid of the demoness. It is said that when the lama set about the task of destroying her, she turned herself into a  grey dog and rushed to the top of a mountain. Drukpa Kunley followed her and  trapped her with his mighty penis in a chorten or stupa. She finally accepted Drupka as her master and became his desciple. This is the spot where the temple of Chimi Lhakhang  stands today and is known for its power to bestow fertility. After this event the village of Punakha began to rever the penis motif as a divine and protective symbol, and started the practice of painting it on the entrances of buildings and doorways of their homes.

Lama Drukpa Kunley’s unconventional ways of teaching and socially unacceptable behaviour, challenged the preconceived notions of Buddhism and  liberated the religion from strict and  dogmatic  religious practices. As a master, he was a poet and many of his teachings are immortalised through his own words.

Here is a fine example  of song about the pleasure

 A young woman finds pleasure in love.

A young man finds pleasure in sex.

An old man finds pleasure in his memoirs.

This is the doctrine of the three pleasures.

Who does not know the truth, is confused.

Those who have no goals, can not sacrifice.

Those who have no courage, can not be a Yogi.

 This is the doctrine of the three missing things.

Even if a person knows the way of wisdom; without practicing there is no realization.

Even if a master shows you the way, you have to go it by yourself.

 

Story collected by: Vidya Kamat

Story told by : Jempel – Cultural guide

Location : Paro, Bhutan

Image source: Wikipedia

February 18, 2018by admin
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Folk-Myth

The story of Abhirami Bhattar

Not very long ago, there lived a Brahmin named Subramanyam Iyer in a small town called Thirukadaiyur in Tamil Nadu. His town had a famous Shiva temple where the presiding deity was Lord Amrithaghateswar and his consort, Goddess Abhirami (an avatar of Parvati).

Subramanyam was a regular visitor to the temple. He was deeply devoted to Goddess Abhirami. So intense was his faith that he saw the goddess in every woman and much to the discomfort and annoyance of the women in his town, he chased them around and showered them with flowers before prostrating at their feet at every given opportunity. Naturally then the women reacted in horror and anger and the town dismissed him as a lunatic.

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January 22, 2018by admin
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Myth

Lajja gauri- the Shameless Goddess

Shameless goddess!

Isn’t that a strange name for a goddess? And why is she Shameless?

However, Devi Mahatmya a text dedicated to worship of Devi, does not record any such name. Probably this may not be the original name of the goddess whose idols today are referred as Lajja gauri or Shameless goddess.

Excavations around Alampur, Nagarjunkonda, in Andhra Pradesh, Siddankotte in Karnataka and Ter, Mahurzuri , Bhokardan in Maharashtra during early 19th century revealed these strange female idols in explicit erotic postures. These female idols were presented in supine positions, with legs spread wide open, her genitalia and heavy breasts exposed to the viewer’s gaze. However the heads of these idols were missing, instead a lotus flower was carved in place of the head.

While scholars have tried to enumerate who the goddess could be and why she is represented in such explicit posture, here is an etiological myth that links the origins of this goddess to Parvati.

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December 23, 2017by admin
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Didactic Tales

A Lesson in Maya

There are many tales in Puranas where god Vishnu explains the concept of maya to the wandering mendicant Narada. In each of those tales Vishnu puts Narada through different experiences of life to make him understand the ultimate grip of maya that overwhelms the human mind. In this story, Vishnu yet again gives a lesson in maya, this time by making Narada experience the female body, and what it mean to be a woman.

Once Narada, came to visit Vishnu, while he was making love to Lakshmi. Watching Narada enter the room, Lakshmi hastily left the room. Narada asked Vishnu – “ Oh supreme God! Why did you stop making love? I am an ascetic who is in complete control of senses. I have conquered maya… You need not have stopped making love midway, for I have no desires left for this world.”

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December 5, 2017by admin
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Myth

Hanuman’s invisible earrings

Hanuman and the mind immediately conjures up an image of him carrying the Sanjeevani mountain or kneeling at the feet of Lord Rama and Sita. Hanuman is the most favourite god in the Hindu pantheon in the recent times. He belongs to the tribe called Kimpurushas who are mystical beings that are half animal and half human. Did you know that Hanuman fought his first battle when he was still in his womb?

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November 26, 2017by admin
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